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    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    You’re Dead – Mohammad Shafiqul Islam

    Four poems from “un incesante caer de estrellas en la nada” –  josé eugenio sánchez

    Four poems from “un incesante caer de estrellas en la nada” – josé eugenio sánchez

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Color of Courage and Other Poems – Marzia Rahman

    Pretty Power. Camilla Boemio interviews Ron Laboray

    A dot and other poems – Zulfiqar Parvez

  • Fiction
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    HOW CAN YOU TELL WHAT’S NORMAL? – Božidar Stanišić

    Pretty Power. Camilla Boemio interviews Ron Laboray

    The Box – Jan Phelps

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    SHADHIN – Sabreena Ahmed

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    An Unveiling – Kazi Rafi, translation by Ashraf-ul Alam Shikder

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    “Malizia Christi”, an excerpt from Davide Cortese’s novel, with Foreword by Renzo Paris

    American Canyon Ruins: The Past and the Future of Concrete, History and Graffiti – Melina Piccolo

    The Aunt, by Francesca Gargallo

  • Non Fiction
    The language of life and the languages of memory – Julio Monteiro Martins

    The language of life and the languages of memory – Julio Monteiro Martins

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    GOLD-MELTING CEREMONY – Appadurai Muttulingam

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    What is lotted cannot be blotted – Jackie Kabir

    Belice Earthquake, 1968 – Gia Marie Amella

    Belice Earthquake, 1968 – Gia Marie Amella

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    An introduction to omni-sensual, antinomial defamiliarization in Razu Alauddin’s erotic poems -Munzer Talukder

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs –  Pina Piccolo and Yuliya Chernyshova

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs – Pina Piccolo and Yuliya Chernyshova

  • Interviews & reviews
    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Belice Earthquake, 1968 – Gia Marie Amella

    Ludovico Corrao, Earthquake Mayor – Gia Marie Amella

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pretty Power. Camilla Boemio interviews Ron Laboray

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

  • Out of bounds
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    I and EUCALYPTUS   – Susan M. Schultz

    I and EUCALYPTUS – Susan M. Schultz

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pain Is Always Served Hot and Other Poems – Wesam Almadani

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Belice Earthquake, 1968 – Gia Marie Amella

    Poems from “The Stony Guests” project: Ohannes Sessizoğlu and Anayiz Papazyan, imagined poets – Neil P. Doherty

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Tasting independence in a distant land  – Naive Cringe

    Tasting independence in a distant land – Naive Cringe

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Belice Earthquake, 1968 – Gia Marie Amella

    Your Time Starts Now – Appadurai Muttulingam

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

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    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

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    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    You’re Dead – Mohammad Shafiqul Islam

    Four poems from “un incesante caer de estrellas en la nada” –  josé eugenio sánchez

    Four poems from “un incesante caer de estrellas en la nada” – josé eugenio sánchez

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Color of Courage and Other Poems – Marzia Rahman

    Pretty Power. Camilla Boemio interviews Ron Laboray

    A dot and other poems – Zulfiqar Parvez

  • Fiction
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    HOW CAN YOU TELL WHAT’S NORMAL? – Božidar Stanišić

    Pretty Power. Camilla Boemio interviews Ron Laboray

    The Box – Jan Phelps

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    SHADHIN – Sabreena Ahmed

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    An Unveiling – Kazi Rafi, translation by Ashraf-ul Alam Shikder

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    “Malizia Christi”, an excerpt from Davide Cortese’s novel, with Foreword by Renzo Paris

    American Canyon Ruins: The Past and the Future of Concrete, History and Graffiti – Melina Piccolo

    The Aunt, by Francesca Gargallo

  • Non Fiction
    The language of life and the languages of memory – Julio Monteiro Martins

    The language of life and the languages of memory – Julio Monteiro Martins

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    GOLD-MELTING CEREMONY – Appadurai Muttulingam

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    What is lotted cannot be blotted – Jackie Kabir

    Belice Earthquake, 1968 – Gia Marie Amella

    Belice Earthquake, 1968 – Gia Marie Amella

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    An introduction to omni-sensual, antinomial defamiliarization in Razu Alauddin’s erotic poems -Munzer Talukder

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs –  Pina Piccolo and Yuliya Chernyshova

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs – Pina Piccolo and Yuliya Chernyshova

  • Interviews & reviews
    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Belice Earthquake, 1968 – Gia Marie Amella

    Ludovico Corrao, Earthquake Mayor – Gia Marie Amella

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pretty Power. Camilla Boemio interviews Ron Laboray

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    I and EUCALYPTUS   – Susan M. Schultz

    I and EUCALYPTUS – Susan M. Schultz

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pain Is Always Served Hot and Other Poems – Wesam Almadani

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Belice Earthquake, 1968 – Gia Marie Amella

    Poems from “The Stony Guests” project: Ohannes Sessizoğlu and Anayiz Papazyan, imagined poets – Neil P. Doherty

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Tasting independence in a distant land  – Naive Cringe

    Tasting independence in a distant land – Naive Cringe

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Belice Earthquake, 1968 – Gia Marie Amella

    Your Time Starts Now – Appadurai Muttulingam

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet

Reviewed by Pina Piccolo. Expanded translation of the Italian language review that appeared in the July 2020 issue of print journal "Le Voci della Luna" . Cover image: 1923 photo of student antiFascist network in Florence; Marion Cave is on the left Carlo Rosselli

April 29, 2022
in Out of bounds, The dreaming machine n 10
Desperately seeking Marion: A Review of ” Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli”, by Isabelle Richet
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For many years I have been intrigued by the figure of Marion Cave, of whose existence, like most Italians, I knew nothing and whom I discovered seven or eight years ago by chance on the occasion of an event organized by Le Voci della Luna dealing with the ‘mothers’ of poetry in Italy. Browsing through the biographies of the poets presented in the evening, including Amelia Rosselli, I came across her English mother, Marion Cave, including simple mentions of her anti-fascist activism alongside Carlo Rosselli and her efforts as an organizer of international networks of anti-fascist solidarity.

Over the years I devoted myself to researching further information and just a few months ago I discovered that the French historian Isabelle Richet, professor emeritus of the Diderot 7 University of Paris, had published at the end of 2018 with IB Tauris press a 348 page biography titled Women, Antifascism and Mussolini’s Italy – The Life of Marion Cave Rosselli , where in 14 chapters tracing her from childhood to her death at the age of 53 Isabelle Richet records forty years of the protagonist’s life using archival documents, letters and testimonies, as well as international historiography from the last 20 years. The result is  the reconstruction of  a well-rounded figure immersed in and operational within the reality of the countries she inhabited throughout her life (Great Britain, Italy, France, United States). Marion emerges as the creator of and an activist within very rich transnational intellectual, social and political networks, interacting even with ‘smugglers’, captains and pilots capable of organizing audacious international escapes of fascists confined to islands deemed inaccessible by the fascist regime. In some places, the volume has the feeling of an adventure book, a kind of Orientalism-free Salgari, set in and moving between Florence, London, Paris and the East Coast, rich with outlines of figures such as Gaetano Salvemini, HG Wells, Aldo Garosci, Filippo Turati, Anna Kuliscioff, Max Ascoli, Emilio Lussu, Ruth Draper , Ferruccio Parri, Ernesto Rossi, Vernon Lee,  Marion Cave’s mother-in-law, her sister-in-law, her favorite son and Melina and Andrea her other children, fruit of unwanted motherhood (a very current topic in an age in which women are claiming the right to be child-free, but very controversial at that time).  Her friends, classmates and schoolmates and later teaching  colleagues also are described in their relation with her and the choices they made with their actions in those historical times.

Richet manages to provide readers with a very personal portrait rich in adventure driven by political fervor, always centered on the female figure of Marion, whose agency is linked to her own personal elaboration of concrete ideas and programs for resistance and sociopolitical change. Richet provides a convincing account of Marion Cave’s insistence on her own intellectual capacities and agency even when downplayed and challenged by others, typically male politicians and activists who tended to appreciate her contributions only when they were ancillary or other women bent on adhering to safe, traditional roles and what would be called today ‘family values’. The forces of patriarchal tradition would have liked for her to be deferential and step aside, and this triggered in her a great sense of frustration. In trying to find the sources for such ‘modern’ approach to women’s agency, Richet focuses on how her feminism was acquired in her youth also owing to the particulars of her family of origin, including their class positioning, as well as more philosophical traits deriving from her British upbringing and studies, such her empiricism and pragmatism, an imprint that distinguish her despite her dislike for her own country of birth. The frustration suffered by Marion as she was divided between political activity and relegation to family management is described in a very effective way in the book, with a wealth of examples that illustrate how patriarchal power was exercised by both men and women: in this regard, Richet’s focus is on  Marion’s relationship with her mother-in-law Amelia, the juxtaposition of the model-wife Maria (married to Carlo’s brother Nello Rosselli) and Marion (wife but also co-conspirator of Carlo Rosselli).

In all likelihood, some of the misogynistic trends prevailing in her times and later in Italy contributed to the long-lasting defamatory portrayals made of her figure in Italy, starting with the character inspired by her in the 1951 novel The Conformist by Moravia (reprised by Bertolucci’s movie in 1970), to the pages dedicated to her in “Miss Rosselli”, to the more recent 2020 memoir by Italian writer Renzo Paris inspired by his friendship with poet Amelia Rosselli in which Marion, Amelia’s mother, is again portrayed as a great seductress and vacuous intellectual salon-queen, dissatisfied because her daughter is not following in her footsteps, practically a madwoman who, with her restlessness and instability, is responsible for her daughter’s malaise.  As could be somewhat expected of an Italian man of his generation, Renzo Paris, despite his leftist leanings, fails to investigate the deeper question of unwanted motherhood endured in spite of themselves by a multitude of women of Marion’s generation (in reality among the shadows that roam the book, perhaps Paris has neglected to mention that of Marion, who would undoubtedly have been happy to gift him with few swift kicks to his butt).

To better understand the unfolding of both personal history and History, one must perceive the dynamics and power relations between human beings and Isabelle Richet’s book offers detailed descriptions, ranging from the internal and official functioning of institutional networks such as the British Institute both for expatriates and locals especially in the period in which fascism begins to take root, the networks, the early formation and later development of the Giustizia e Libertà movement which later became the Action Party within a 20 year period, international anti-fascist solidarity networks which also supported anti-fascists who had managed to escape Italy to France, England and the USA. An important space in the book is devoted to cultural debate networks such as Il Circolo della Cultura in Florence, the figure of Gaetano Salvemini who founded it, and a comparison of these intellectual networks with those originating in France after the Dreyfus Affair.

What is striking is the modernity and topicality of the historical, social and personal issues that the young and mature Marion found herself having to face. Almost a hundred years after the beginning of her story, in reality these knots still exist today without having been solved and are not very dissimilar from those faced by the new generations, especially women active in an intellectual and political context characterized by a cosmopolitanism. Contemporary young women face much of the same issues faced by Marion, especially those who are part of migration trends, are active in programs such as Erasmus and the globalization of knowledge, in a historical moment in which fascism is manifesting itself again strongly at the international level.

I believe that this English-language volume deserves an Italian translation not only because it restores dignity to a figure that the dominant paradigms of the intellectual system in Italy have long silenced, misunderstood, underestimated if not downright reviled, but also as a tribute to Marion Cave’s figure, who with her translations, in addition to his incessant political activity, made a great contribution to the transmission of knowledge, resistance and political action.

 

 

Tags: anti-fascist struggleCarlo RosselliGiustizia e Libertàinternational anti-fascist networksIsabelle RichetMarion Cavewomen's agency
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