Atelier Montez: Let the Arts Inhabit a Productively Shared Space- Interview with Marcella Magaletti
1) PINA PICCOLO. Can you please explain how the idea to reclaim an abandoned industrial facility for artistic use ...
1) PINA PICCOLO. Can you please explain how the idea to reclaim an abandoned industrial facility for artistic use ...
The Dreaming Machine
Writing and visual arts from the world.
From the collection Elle. A review of Laura Fisco's poetry collection Elle is available in the Interviews and reviews of ...
This and that This and that, you should say, is the only thing given to us for this instant, ...
From “Sussulti oculari” (unpublished, 2012) CROCUS 2 Flow back into the veins, History: ’68, Pedro Alvarado, ...
This article containing poems by Krisma Mancí, from her collection Nueva cosecha (New Collection), Casa de poesía, Costa Rica, 2016, ...
EY is the shortest story published in the world ever which transcends the boundaries of language, and with a ...
From the collection Elle. A review of Laura Fisco's poetry collection Elle is available in the Interviews and reviews of ...
This and that This and that, you should say, is the only thing given to us for this instant, ...
From “Sussulti oculari” (unpublished, 2012) CROCUS 2 Flow back into the veins, History: ’68, Pedro Alvarado, ...
This article containing poems by Krisma Mancí, from her collection Nueva cosecha (New Collection), Casa de poesía, Costa Rica, 2016, ...
EY is the shortest story published in the world ever which transcends the boundaries of language, and with a ...
From the collection Elle. A review of Laura Fisco's poetry collection Elle is available in the Interviews and reviews of ...
This and that This and that, you should say, is the only thing given to us for this instant, ...
From “Sussulti oculari” (unpublished, 2012) CROCUS 2 Flow back into the veins, History: ’68, Pedro Alvarado, ...
December 24, 2024 marks ten years since the premature passing of Brazilian/Italian writer Julio Monteiro Martins, important cultural figure from...
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