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    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    You’re Dead – Mohammad Shafiqul Islam

    Four poems from “un incesante caer de estrellas en la nada” –  josé eugenio sánchez

    Four poems from “un incesante caer de estrellas en la nada” – josé eugenio sánchez

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Color of Courage and Other Poems – Marzia Rahman

    Pretty Power. Camilla Boemio interviews Ron Laboray

    A dot and other poems – Zulfiqar Parvez

  • Fiction
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    HOW CAN YOU TELL WHAT’S NORMAL? – Božidar Stanišić

    Pretty Power. Camilla Boemio interviews Ron Laboray

    The Box – Jan Phelps

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    SHADHIN – Sabreena Ahmed

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    An Unveiling – Kazi Rafi, translation by Ashraf-ul Alam Shikder

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    “Malizia Christi”, an excerpt from Davide Cortese’s novel, with Foreword by Renzo Paris

    American Canyon Ruins: The Past and the Future of Concrete, History and Graffiti – Melina Piccolo

    The Aunt, by Francesca Gargallo

  • Non Fiction
    The language of life and the languages of memory – Julio Monteiro Martins

    The language of life and the languages of memory – Julio Monteiro Martins

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    GOLD-MELTING CEREMONY – Appadurai Muttulingam

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    What is lotted cannot be blotted – Jackie Kabir

    Belice Earthquake, 1968 – Gia Marie Amella

    Belice Earthquake, 1968 – Gia Marie Amella

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    An introduction to omni-sensual, antinomial defamiliarization in Razu Alauddin’s erotic poems -Munzer Talukder

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs –  Pina Piccolo and Yuliya Chernyshova

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs – Pina Piccolo and Yuliya Chernyshova

  • Interviews & reviews
    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Belice Earthquake, 1968 – Gia Marie Amella

    Ludovico Corrao, Earthquake Mayor – Gia Marie Amella

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pretty Power. Camilla Boemio interviews Ron Laboray

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    I and EUCALYPTUS   – Susan M. Schultz

    I and EUCALYPTUS – Susan M. Schultz

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pain Is Always Served Hot and Other Poems – Wesam Almadani

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Belice Earthquake, 1968 – Gia Marie Amella

    Poems from “The Stony Guests” project: Ohannes Sessizoğlu and Anayiz Papazyan, imagined poets – Neil P. Doherty

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Tasting independence in a distant land  – Naive Cringe

    Tasting independence in a distant land – Naive Cringe

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Belice Earthquake, 1968 – Gia Marie Amella

    Your Time Starts Now – Appadurai Muttulingam

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

  • Home
  • Poetry
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    You’re Dead – Mohammad Shafiqul Islam

    Four poems from “un incesante caer de estrellas en la nada” –  josé eugenio sánchez

    Four poems from “un incesante caer de estrellas en la nada” – josé eugenio sánchez

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    from “How I Remember You Is How the Page Flips” – Pushpanjana Karmakar

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    Five poems from “Rainy Night Paris” – Michael D. Amitin

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Color of Courage and Other Poems – Marzia Rahman

    Pretty Power. Camilla Boemio interviews Ron Laboray

    A dot and other poems – Zulfiqar Parvez

  • Fiction
    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Between Two Lives – Mojaffor Hossain

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    The Amatory Rainy Night – Kazi Rafi

    Chapter 1 of “Come What May”, a detective story set in Gaza, by Ahmed Masoud

    Come What May, chpt. 11 – Ahmed Masoud

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    HOW CAN YOU TELL WHAT’S NORMAL? – Božidar Stanišić

    Pretty Power. Camilla Boemio interviews Ron Laboray

    The Box – Jan Phelps

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    SHADHIN – Sabreena Ahmed

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    An Unveiling – Kazi Rafi, translation by Ashraf-ul Alam Shikder

    Facing Humanoids: A solo show of Hans van der Ham – Camilla Boemio

    “Malizia Christi”, an excerpt from Davide Cortese’s novel, with Foreword by Renzo Paris

    American Canyon Ruins: The Past and the Future of Concrete, History and Graffiti – Melina Piccolo

    The Aunt, by Francesca Gargallo

  • Non Fiction
    The language of life and the languages of memory – Julio Monteiro Martins

    The language of life and the languages of memory – Julio Monteiro Martins

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    GOLD-MELTING CEREMONY – Appadurai Muttulingam

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    What is lotted cannot be blotted – Jackie Kabir

    Belice Earthquake, 1968 – Gia Marie Amella

    Belice Earthquake, 1968 – Gia Marie Amella

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    An introduction to omni-sensual, antinomial defamiliarization in Razu Alauddin’s erotic poems -Munzer Talukder

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs –  Pina Piccolo and Yuliya Chernyshova

    Preface and Afterword to Iya Kiva’s collection War Is Always Sitting on All the Chairs – Pina Piccolo and Yuliya Chernyshova

  • Interviews & reviews
    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    The Peace Garden Project: materials from intersecting arts coordinated by Laure Keyrouz

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    Involving the youth in film-making about Palestine: The Ghassan Kanafani section of the Al Ard Film Festival

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    A Nation’s Reckoning on a Rickshaw: Photogallery from Bangladesh in turmoil – Melina and Pina Piccolo

    Belice Earthquake, 1968 – Gia Marie Amella

    Ludovico Corrao, Earthquake Mayor – Gia Marie Amella

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pretty Power. Camilla Boemio interviews Ron Laboray

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

    LAUREN BON – CONCRETE IS FLUID. An Ecological Poetic Composition as inherently political act, interview by Camilla Boemio

  • Out of bounds
    • All
    • Fiction
    • Intersections
    • Interviews and reviews
    • Non fiction
    • Poetry
    I and EUCALYPTUS   – Susan M. Schultz

    I and EUCALYPTUS – Susan M. Schultz

    Pretty Power. Camilla Boemio interviews Ron Laboray

    Pain Is Always Served Hot and Other Poems – Wesam Almadani

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Climate Change. The Anthropocene and Politics – An interview with Daniele Conversi, by Camilla Boemio  

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Four poems from the Atmospheric Science Series – Yin Xiaoyuan

    Belice Earthquake, 1968 – Gia Marie Amella

    Poems from “The Stony Guests” project: Ohannes Sessizoğlu and Anayiz Papazyan, imagined poets – Neil P. Doherty

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Illustrating what lies hidden between worlds, a sample of Juan Esguerra’s graphics

    Tasting independence in a distant land  – Naive Cringe

    Tasting independence in a distant land – Naive Cringe

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Extracts from Aurelia, pianeta taciturno – Giampaolo De Pietro

    Belice Earthquake, 1968 – Gia Marie Amella

    Your Time Starts Now – Appadurai Muttulingam

  • News
    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    Memorial Reading Marathon for Julio Monteiro Martins, Dec. 27, zoom live

    PER/FORMATIVE CITIES

    PER/FORMATIVE CITIES

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    HAIR IN THE WIND – Calling on poets to join international project in solidarity with the women of Iran

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    THE DREAMING MACHINE ISSUE N. 11 WILL BE OUT ON DEC. 10

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    RUCKSACK – GLOBAL POETRY PATCHWORK PROJECT

    REFUGEE TALES July 3-5:  Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

    REFUGEE TALES July 3-5: Register for a Walk In Solidarity with Refugees, Asylum Seekers and Detainees

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Home Poetry

The Redness of the Sun’s Trousers – A Painterly Poem by Abdallah Zriqa

Cover art: Odalisque in red trousers, by Henri Matisse

December 1, 2020
in Poetry, The dreaming machine n 7
The Redness of the Sun’s Trousers – A Painterly Poem by Abdallah Zriqa
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The Redness of the Sun’s Trousers

Abdallah Zriqa

 

 

1

Oh, how can I see ?

While my eye is circumcised

 

Is this dirt?

Or stone for ablutions

 

What is this path extending from harem to heaven?

 

And this woman who has found nothing else but the back of a servant to peek out of a window

And behold a coffin,

these wasted taps coming from a rusty throat

 

The astrologers who couldn’t see this sky because prevented by flies

 

Nor the labyrinths that lead to a dog bite

 

But I didn’t know that between the East and the West

There was a veil

And a rosary of sins

 

2

 

How can your hand not turn into a whore?

while you paint every day

 

And what would it be like, when the canvas turns into a field

And your eye into a raven

 

And what would ” Monet”, “Renoir” and “Pissarro” have done

Had they not gone plein air

 

But then, what is the color of madness, if not yellow

 

What is the value of a line if it is not a blade?

have you seen this face that resembles a crumb of bread?

women looking like potatoes

And the sun unsuitable for any morning

 

What would Matisse have done had he not blown his wind

on red pants

What good would this collapsed chair be if it weren’t waiting for

Van Gogh to emerge from the void of a hospital

 

3

Or Ingres

Why does the body start from the back?

Or Degas

Who is dancing?

Is it life or this emptiness?

 

Or Michelangelo.

What a Renaissance if not that of the body

Was it even possible to discover America before discovering the folds

of the body

I forgot how I got into that worn out bar

Where Manet was with his tight, oil-stained pants

Bonnard there helping a woman take off her shirt

And Matisse there painting a leg with the blue of his eyes

And I didn’t see anyone else there

 

At the door I saw Modigliani trying to ride

the bicycle of a woman who inadvertently bowed down.

 

Translated into English by Pina Piccolo based on the Italian translation from the original Arabic by Sana Darghmouni.

 

 

Abdallah Zrika, contemporary Moroccan poet born in Casablanca in 1953. He writes in free style and uses colloquial language in his poems . His defense of freedom of expression cost him two years in prison in the ‘Years of Lead’ in Morocco. in addition to poetry, he also writes novels and plays for the theater. Most of his works are translated into French (La solitude des abattoirs du blanc, La colombe du texte) and some in English (Poems from The Insect of Infinity, translated by Tim DeMay).

Tags: Abdallah ZriqaAmedeo Modiglianicolorcreative processIngresmadnessMatisseMonetpaintersplein air paintingPoetrysocial developmentVan Gogh
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    • the dreaming machine – issue number 15
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